ARG logo



1–3 July 2022


Shoreditch Town Hall



Press / Business contact:

[email protected]

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ARGComFest is a weekend comedy festival of Fringe previews and work-in-progress shows that takes place at the start of July. Founded in 2012, the festival brings an attentively curated programme of over sixty comedians — from big name TV favourites to up-and-coming newcomers — to the labyrinthine settings of Shoreditch Town Hall. In 2016, ARGComFest became the first major comedy festival to have a gender balanced programme and it continues to champion diversity and representation within comedy.


This year’s festival will include triple British Comedy Award nominee Isy Suttie, reigning Edinburgh Comedy Award winner Jordan Brookes; silly, sexy, savage stand-up from Taskmaster titan Sophie Duker; and star of Netflix’s Philly Philly Wang WangPhil Wang!

The weekend will also include three-time Edinburgh Comedy Award nominee Josie Long; star of Mock The Week, QI, Late Night Mash and her very own Amazon Prime comedy special Olga Koch; and the visceral, real and achingly brave Colin Hoult with the final outing of Anna Mann.

There’ll be stand-up from the host of BBC Sounds’ Wheel of Misfortune Alison Spittle, sketch from creators of Radio 4’s SoundbleedTarot, and jokes about skinny jeans, learning Welsh and white supremacy from All Killa No Filla’s Kiri Pritchard-McLean. Plus numerous Edinburgh Comedy Award nominees including Glenn Moore, Jess Fostekew and James Acaster.

This year for the first time ever, ARG is partnering with Shoreditch Town Hall to also present The Friday Night Show — a one-off spectacular show on Friday 1st July featuring an all-star line-up: Phil Wang, John Robins, Josie Long, Kemah Bob, Isy Suttie, Rhys James, Nabil Abdulrashid, Sofie Hagen, Helen Bauer and host Kiri Pritchard-McLean!

For the most up-to-date programme including show information and press quotes, visit the line-up page.



In 2012, ARGComFest was founded as a day of comedy across two floors of a pub in King's Cross with two main goals:

  • to allow people to see the best Fringe shows in London with excellent value tickets — but still within a Fringe-like atmosphere
  • to provide comedians with paid previews — as many acts frequently lose money on previews due to prohibitive venue hire costs

Over the following years, the festival established a recognisable identity and a strong reputation for a uniquely interesting and high-quality programme and quickly grew: first to a full weekend, then to fill larger venues, and later to a third stage.

Social impact

The festival has always focused on diversity and representation — but as the festival has grown, carving out its position in the comedy calendar along the way, it has become more bold and outspoken.

Since 2012, the festival has absorbed booking fees whenever possible (and reduced ticket prices to compensate when not), moved to a significantly more accessible venue, promoted the No More Page 3 campaign, encouraged festival-goers to donate to food banks and domestic violence charities, partnered with local businesses, and kept any ticket price increases well below inflation — even when adding an extra stage with an accompanying 50% increase in acts.

Other projects

In March 2019, ARG curated and ran two venues at Glasgow International Comedy Festival: taking residency at vegan independent music venue The Hug and Pint, as well as transforming an elegant art gallery into an intimate pop-up comedy venue. ARG programmed twenty-four shows over two weekends to great success and acclaim. ARG will return to GICF in the future.

Quotes & Recognition

  • the ultimate concentrated comedy event … ARGComFest is the comedy Glastonbury

    - Bruce Dessau, Evening Standard

  • intense, ridiculously good-value festival

    - Time Out

  • [ARGComFest] has become an integral part of Fringe preparations … from its first year it developed a reputation for the calibre of its line-ups.

    - The Skinny


download these images as .zip (16.8 MB) — to be credited to Edward Moore. other images available on request

download artist publicity images (not shown here) from Google Drive — credits within file-names

Colin Hoult in character as Anna Mann with an ARGComFest banner in the background, links to a high resolution version of itself Josie Long performing onstage, links to a high resolution version of itself Rose Johnson onstage pointing into the audience, links to a high resolution version of itself Ivo Graham onstage looking relaxed, links to a high resolution version of itself Alex Kealy onstage smiling, links to a high resolution version of itself Sophie Duker performing onstage smiling with projection in the background, links to a high resolution version of itself Sketch group Tarot onstage in costume, links to a high resolution version of itself Shoreditch Town Hall with a blue sky with a few clouds, links to a high resolution version of itself Bridget Christie onstage in a crowded room, links to a high resolution version of itself Fern Brady performing onstage, links to a high resolution version of itself


download logos in multiple formats (including CMYK) as .zip (805 KB)

ARGComFest logo, links to a high resolution version of itself ARG logo, links to a high resolution version of itself


Festival Director: Pax Lowey

Festival Photographer: Edward Moore

Style guide

  • The festival title is always written as either ARGComFest (no spaces) or in full as Actually Rather Good Comedy Festival.
  • Common mistakes include: adding spaces ('ARGCom Fest'), partially abbreviating ('ARG Comedy Festival'), or missing sections of the title ('ARGFest') — these are all incorrect and confusing due to similarly named festivals.
  • Listings often have 'ARGComFest' as the title and the blurb opens with the full name, for example: "Actually Rather Good Comedy Festival is back, bigger than ever!" — the opposite is also fine.
  • The shade of red used for festival branding is PANTONE 186 C, RGB (200,16,46) HEX (C8102E), or CMYK (2,100,85,6).